Graphic design learning

Mini Project: Redesign A Simple Poster

A redesign improves communication by changing hierarchy, spacing, alignment, color, and type decisions.

Introduction lessons

Lesson objective and evidence

Make and explain one design decision that demonstrates this principle: A redesign improves communication by changing hierarchy, spacing, alignment, color, and type decisions.

Prerequisite: Typography As Voice

Evidence to produce: List three problems before making changes.

Estimated workload: 4-8 hr milestone

Mini Project: Redesign A Simple Poster lesson

Observe

See the communication problem

The original poster has a strong image but the title, date, and action disappear inside texture.

  • What to notice

    A redesign should be clearer, not merely different.

  • Why it matters

    Projects teach design faster than definitions because every choice has to work together in one frame.

Takeaway: A redesign improves communication by changing hierarchy, spacing, alignment, color, and type decisions.

Understand

Understand the principle

A redesign improves communication by changing hierarchy, spacing, alignment, color, and type decisions.

Projects teach design faster than definitions because every choice has to work together in one frame.

Takeaway: A redesign should be judged against the original communication problem, not against novelty alone.

Understand

Study the visual model

Read the image from first attention to final detail. Then compare that path with the labeled decision model below.

Diagnose
Find the communication problem.
Sketch
Try several structures quickly.
Build
Apply hierarchy, spacing, color, and type.
Compare
Check whether the redesign is clearer.

Takeaway: Use the model as a diagnostic, not a decoration recipe: A redesign should be clearer, not merely different.

Try

Follow a worked decision

  • Situation

    The original poster has a strong image but the title, date, and action disappear inside texture.

  • Designer move

    Keep the image, simplify the crop, create a clear title block, and group details in one stable area.

  • Result

    The poster still feels connected to the original, but the viewer understands it faster.

Takeaway: A good redesign keeps what works and fixes what blocks understanding.

Try

Run the studio method

Diagnose first, sketch second, polish last. Do not start by changing colors.

  • Frame: Projects teach design faster than definitions because every choice has to work together in one frame.
  • Explore: Find a simple poster and list three communication problems before touching the layout.
  • Test: A redesign should be clearer, not merely different.
  • Revise: change one variable, compare the versions, and keep the stronger evidence.

Takeaway: Diagnose first, sketch second, polish last. Do not start by changing colors.

Critique

Diagnose weak decisions

Name the visible problem before proposing a fix. This keeps critique specific and useful.

  • Changing everything without diagnosing anything.
  • Judging the redesign only by style.
  • Forgetting to preserve the required information.

Takeaway: A strong designer can name the mistake and the fix.

Apply

Use the review rubric

Ask first: A redesign should be clearer, not merely different.

  • List three problems before making changes.
  • Make at least three thumbnails before choosing a direction.
  • Compare the original and redesign at small size.
  • Explain each change with a design principle.

Takeaway: Your design is ready to move forward when you can point to evidence for every criterion.

Mini Project: Redesign A Simple Poster

The original poster has a strong image but the title, date, and action disappear inside texture.

Make three thumbnails, choose one, then build a final redesigned poster.

Specification: Document every final format, dimension, color mode, file type, and source asset in the submission.

Process

  • Frame the communication problem: Projects teach design faster than definitions because every choice has to work together in one frame.
  • Explore at least three visibly different directions before choosing one.
  • Build the strongest direction using this studio move: Diagnose first, sketch second, polish last. Do not start by changing colors.
  • Critique it with evidence: A redesign should be clearer, not merely different.
  • Revise one meaningful variable and document what improved.

Deliverables

  • A thumbnail sheet or contact sheet showing at least three directions.
  • One resolved design at the size and format named in the brief.
  • A short rationale connecting audience, hierarchy, and design decisions.
  • A before-and-after revision showing how critique changed the work.
  • A source note for images, type, and references, including permissions and provenance.

Review criteria

  • Criterion 1
  • Criterion 2
  • Criterion 3
  • Criterion 4

Portfolio transfer

Submit a before/after poster board with notes for hierarchy, spacing, color, and typography.

Knowledge check

What should happen before polishing a redesign?

  • Add more visual effects.
  • Diagnose the communication problem.
  • Change every typeface immediately.
  • Export the final file first.