Nitter complete color theory

B13. Interval, Harmony and Dissonance

Five connected studies move interval, harmony and dissonance from direct observation and explanation through controlled experiment, application and critique. Five active studies connect evidence, experiment, application and critique.

Observe → Understand → Experiment → Apply → Critique and record

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• Color Intervals

  Begin Interval, Harmony and Dissonance with color intervals: observe directly and record the conditions before interpreting the result.

• Analogous Relationships

  Within Interval, Harmony and Dissonance, build a working explanation of analogous relationships, keeping the model distinct from the appearance it describes.

• Complementary Structures

  In Interval, Harmony and Dissonance, test complementary structures by changing one controlled variable and comparing the evidence.

• Triads and Tetrads

  Apply triads and tetrads within Interval, Harmony and Dissonance to a practical color decision, preserving both the reasoning and its constraints.

• Intentional Dissonance

  In Interval, Harmony and Dissonance, critique intentional dissonance against evidence, exceptions and failure conditions before carrying it forward.